Sunday, February 15, 2015

2015 batch deal

Forgot to mention batch prices: USA people pay $24 ppd. for all 4 new tapes, and it's $42 ppd. for international customers.

SECTION 35/CASE split tape (Skell 021)

Totally stoked to put out this split tape--Nathaniel Brennan has been melting minds with his main project Cruudeuces for a long time, while in recent years Jeff Case has been working out his own brand of slow-burning, dubbed-out menace. SECTION 35's muttering unease will grab you instantly, with dank beats, narcotized vox, and an atmosphere of miasmic dread. Horns bleat, shrill synths oscillate and unwind, and a blanket of tape hiss disfigures even the most recognizable sounds. Beautiful and cryptic stuff, end-time jams for end-time folks.....

CASE's side of things is only slightly less bleak, as rolling waves of slithering noises manifest themselves and decay slowly, creating interlocking patterns of tonality and silence. Far removed from his work behind the drums as one half of Burnt Hills' percussive engine, these sounds are haunted and haunting, best enjoyed in the small hours. Pro-dubbed, edition of 50. $7 ppd. USA, $13 worldwide.









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Chapels/Curling Hands split tape (Skell 020)

Very excited about this tape--Buffalo's Adam Richards has been at it for years, both with his excellent label House of Alchemy and his well-documented Chapels project. Tape loops, reverb, broken instrumentation, and carefully arranged, fragmentary bits of sonic debris have characterized his work in the past. "Things I Saw on My Way to the Lake" qualifies as classic Chapels.
Within you will find elements of creeping shadows, forgotten dreams, inexplicable paranoia, and any number of disorienting effects. In short, it's a crusher.....

Liam Rees is a multi-instrumentalist currently residing in London, equally comfortable with raga, psych rock, or noise. His Curling Hands project has a couple of self-released tapes to its name, and on his Skell debut we are happy to say that his dark, noise-inflected viola jams are scratching an itch we didn't even know we had. "The Terminal Object" aches and seethes with care and skill....both sides of this tape will NOT let you down. Pro-dubbed, edition of 50. $7 ppd. USA, $13 ppd. for the rest of the world.










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Xanthocephalus/Nodolby split tape (Skell 019)

Two noise dudes who like the bass--that's the idea here, one from Brooklyn, one from Italy. Xanthocephalus has been dropping low-end madness upon the world since 2011, with heavy past releases on labels like Tranquility Tapes and Kendra Steiner Editions. Xantho mainman Russ Alderson utilizes a barrage of noisemakers and synth devices along with his electric bass to create churning megascapes of sound; grab hold of one of these icebergs and let it tow you out into the frigid oceans.

Mic Scariot is Nodolby, an unclassifiable and interesting noisemaker if I've ever heard one. Past efforts have surfaced on such fine imprints as Digitalis, Retrograde Tapes, and Obsolete Units. Years ago I heard a c10 by Nodolby, and was hooked...this particular release showcases some occasionally brutal sounds, all balanced within a framework that hangs together delicately. Mic also runs Italy's Dokuro Records, a label brimming with crucial releases by artists like Antony Milton, Mike Shiflet, as well as Skell Records vets Hering und seine 7 Sachen and Vales. Pro-dubbed, edition of 50. $7 ppd USA, $13 rest of the world.




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Insects Waiting--Nonsense Codes Vol. 2 (Skell 018)

Mysterious transatlantic duo Insects Waiting return with the 2nd volume of their "Nonsense Codes", following last year's release of "Vol. 1" on the excellent Tape Drift Records. American Eric Hardiman and Scotsman Euan Currie combine their arsenals of sonic trickery, sharpened over the years in their respective main projects Rambutan and Dead Labour Process. The resulting sounds originate more from tapes and loops rather than synthesizers or stringed instruments, and Currie's edits yield a puzzling and compelling series of tracks. Recorded in Edinburgh in 2013, the vibe is a quieter one, pensive and carefully developed throughout. Pro-dubbed, edition of 50. $7 USA, $13 for the rest of the world.




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Wednesday, August 28, 2013

Burnt Hills/Rambutan Eye of the Sun split c60 (Skell 017)

On a snowy night in March 2013 the Burnt Hills crew hosted a show at the Helderberg House with Chalaque, Jon Collin, Yek Koo, and Zaimph. With one longtime member on extended hiatus, Chalaque's Nick Mitchell sat in with us...the resulting bruiser of a set is presented here on side A. Six guitarists, two drummers, one bassist, and a xylophonist baked up a crispy sonic nugget, held together at the seams by feedback, interwoven guitar tones, and a pummeling rhythm section. Burnt Hills has been shredding free-rock style since 2006 on labels like 8MM, Flipped Out, Carbon, and Noiseville--and this missive from the outer reaches of the multiverse fits right in with the band's sprawling aesthetic, showing surprising restraint and unit-wide deep listening to go along with its massive ensemble onslaughts.

Eric Hardiman's Rambutan has had a fine year in 2013--highlighted by the excellent "Inverted Summer" LP on Fabrica Records. While on hiatus in Scotland Hardiman brought Rambutan out live on a number of occasions; this set at Glasgow's Volcanic Tongue record shop finds Hardiman mixing abstraction and more formal melodic elements with characteristic skill, as ideas and textures combine and dissolve in the listener's ears.

Skell Records couldn't be prouder to put this one out, and though there may have been physical separation between Burnt Hills and Rambutan on the days these jams were put down, the eye of the sun saw it all....art gracioiusly provided by Phil French. Pro-dubbed, edition of 100. $7 ppd. US, $12 ppd. rest of the world. SOLD OUT.
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Hering und seine sieben Sachen/Parashi split c40 (Skell 016)


Daniel Voigt is well known in the underground as the man behind the wonderful Sicsic Tapes label. His Hering und seine sieben Sachen tape on Cae-sur-a from 2011 was one of my favorite releases by that fine label, and he has subsequently released material on Cosmic Winnetou and Sicsic. Voigt's side of this split tape (entitled "Desiring Machines" utilizes four walkman cassette recorders as the primary sound sources, augmented by pedals and mixer treatments, and it's a zoned-out beauty of a piece. Drones, voices, and odd sonic interjections all flow together into a ceaselessly interesting, rapidly-shifting river of sound.

Parashi's menacing sonic collages have appeared on labels like Tranquility Tapes, Stunned, and House of Alchemy. These two tracks feature modular synthesizer and a variety of tape sources, chopped and mangled beyond recognition. Parashi's side (entitled "Sigil of the Shining Man" was recorded live at Heron Room North in 2013. These two pieces delve into the darker regions of the psyche, an area where the subconscious mind is the ruler of all it surveys. Edition of 100. $7 ppd. US, $12 ppd. rest of world.


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